Paint colors · Benjamin Moore, as published by the brand
Benjamin Moore Stained Glass CSP-685: hex #44646D, LRV and undertone
Stained Glass (CSP-685) from Benjamin Moore is #44646D with an LRV of 13.15. It measures as a cool neutral with a blue undertone.
- Hex
- #44646D
- RGB
- 68, 100, 109
- LRV
- 13.15
- Undertone
- Cool neutral, blue undertone
A neutral with a blue cast (OKLCH hue 217°, chroma 0.040). Expect the blue to show more in warm evening light and next to cooler whites.
Coordinating colors Benjamin Moore suggests
- Paper Doll
CSP-485 - Lilac Hush
CSP-490 - Cloud White
OC-130 - Sag Harbor Gray
HC-95
Closest colors from other brands
- Deep Sea Dive Sherwin-Williams SW 7618ΔE 3.7
- Dark Ash Behr 770F-5ΔE 12.3
- Peppercorn Sherwin-Williams SW 7674ΔE 12.9
- Pewter Green Sherwin-Williams SW 6208ΔE 13.2
ΔE is the CIEDE2000 difference between the published values: under 2 is hard to tell apart on a wall, 2 to 5 is a visible but related shade. Always compare real chips before you buy.
Name, code, LRV and color value as published by Benjamin Moore on its color page (checked 2026-11-11). A screen can only approximate paint: sheen, lighting and the screen itself all change it, so check a physical sample. ColorPlum is not affiliated with Benjamin Moore.
- HEX
#44646D- RGB
rgb(68, 100, 109)- HSL
hsl(193, 23%, 35%)
Best text on it: white at 6.38:1
Every code for Stained Glass
- HEX
#44646D - RGB
rgb(68, 100, 109) - HSL
hsl(193, 23%, 35%) - HSV
193°, 38%, 43% - CMYK
38%, 8%, 0%, 57% - Lab
lab(40.2% -10.2 -9) - OKLCH
oklch(48.2% 0.04 217.2) - Decimal
4482157
Tints, shades and tones
From white to black in 10% steps, with Stained Glass in the middle. Tap a code to copy it.
- 90%#ECF0F0
- 80%#DAE0E2
- 70%#C7D1D3
- 60%#B4C1C5
- 50%#A2B2B6
- 40%#8FA2A7
- 30%#7C9399
- 20%#69838A
- 10%#57747C
- Base#44646D
- 10%#3D5A62
- 20%#365057
- 30%#30464C
- 40%#293C41
- 50%#223237
- 60%#1B282C
- 70%#141E21
- 80%#0E1416
- 90%#070A0B
Tones (mixed with gray)
- 10%#4A676F
- 20%#506A71
- 30%#566C73
- 40%#5C6F75
- 50%#627277
- 60%#687578
- 70%#6E787A
- 80%#747A7C
- 90%#7A7D7E
Matching colors
- #44646D
- #6D4D44
- #446D62
- #44646D
- #444F6D
- #44646D
- #6D4464
- #646D44
- #44646D
- #6D444F
- #6D6244
- #44646D
- #62446D
- #6D4D44
- #4F6D44
- #090E0F
- #27393E
- #44646D
- #618F9C
- #90B1BA
Stained Glass in 3D color space
OKLab, the space ColorPlum does its math in: lightness runs up the pole, hue goes around it and saturation grows outward. The faint shell is every color a screen can show (saturation is drawn wider than lightness so hues separate). Drag to turn it.
- Stained Glass
- Triad #6D4464
- Triad #646D44
- Complement
- 50% tint
- 50% shade
Stained Glass in use
Card body text stays dark for reading; stained glass carries the header and the button.
Shop nowTagHeadline in Stained Glass
A paragraph with a link set in this color, which is dark enough for text on white.
How it looks with color-vision deficiency
A simulation (Machado and colleagues, 2009) of how the color and its complement read without one type of cone.
- Typical color vision
#44646D - Protanopia (no red cones)
#5E626E - Deuteranopia (no green cones)
#575D6D - Tritanopia (no blue cones)
#356767
Contrast and readability
| Pairing | Ratio | WCAG 2.2 |
|---|---|---|
| as text on white | 6.38:1 | AA AA large AAA |
| as text on black | 3.28:1 | AA AA large AAA |
| white text on it | 6.38:1 | AA AA large AAA |
| black text on it | 3.28:1 | AA AA large AAA |
| on your background | 5.57:1 | AA AA large AAA |
Export
:root {
--stained-glass: #44646d;
--stained-glass-rgb: 68 100 109;
--stained-glass-on: #ffffff;
}On this page
Stained Glass carries code CSP-685, hex #44646D, RGB 68, 100, 109. It is a deep, slightly greenish blue, and the only one of the group with a chroma worth noticing.
Reading the color
The OKLCH value is oklch(48.2% 0.04 217). A chroma of 0.04 is still modest, so the file labels the undertone as a cool neutral with a blue cast. The hue of 217 degrees sits between blue and green, which is why it can read as a muted teal in some light. The LRV is 13.15, in the very dark band. After dark the blue comes forward under lamps, while against crisp whites it may look flatter.
Worked example
Imagine a dining room with an east window and a white picture rail. Stained Glass on the walls below the rail, with Cloud White (OC-130) above and on the ceiling, makes a firm two-tone room. Morning light is bright but cool, so the teal side shows early, and lamps later bring out more of the gray. If you want fewer surprises, paint a sample board and move it between the window wall and the darkest corner.
Light lettering is the practical choice on this shade: white text reaches 6.38:1, black only 3.28:1. A heading or button in this color needs white type to be comfortably readable.
Brand coordinating colors
Benjamin Moore lists Paper Doll (CSP-485), Lilac Hush (CSP-490), Cloud White (OC-130) and Sag Harbor Gray (HC-95). None has a page here. The two CSP entries share a prefix with Stained Glass, so they are easy to find in the same collection. Lilac Hush adds a quiet purple contrast, and Sag Harbor Gray works as a mid-tone partner.
Close colors and cross-brand options
Within Benjamin Moore, Vermont Slate (1673) is ΔE 3.3, related but visible. Dark Harbor (CSP-720) is 10.3 and Midnight Blue (1638) is 11.6, clearly different.
Sherwin-Williams Deep Sea Dive (SW 7618) is 3.7, also related but visible, and is the only other-brand color within 5. Behr Dark Ash (770F-5) is 12.3, Sherwin-Williams Peppercorn (SW 7674) is 12.9 and Pewter Green (SW 6208) is 13.2. Nothing is a swap, so keep to the original and sample it.
This is a color to use with intent. A whole room in it will feel enclosed, while a single wall or a built-in reads as a deliberate accent. Because the green-blue balance shifts with the light, view your sample in the room at morning, noon and night before ordering gallons.