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Paint colors · Benjamin Moore, as published by the brand

Benjamin Moore Stained Glass CSP-685: hex #44646D, LRV and undertone

Stained Glass (CSP-685) from Benjamin Moore is #44646D with an LRV of 13.15. It measures as a cool neutral with a blue undertone.

Benjamin MooreStained GlassCSP-685
Hex
#44646D
RGB
68, 100, 109
LRV
13.15
Undertone
Cool neutral, blue undertone
LRV 13.15. Very dark: close to black on the wall; use where you want drama or contrast.

A neutral with a blue cast (OKLCH hue 217°, chroma 0.040). Expect the blue to show more in warm evening light and next to cooler whites.

Coordinating colors Benjamin Moore suggests

  • Paper DollCSP-485
  • Lilac HushCSP-490
  • Cloud WhiteOC-130
  • Sag Harbor GrayHC-95

Closest colors from other brands

ΔE is the CIEDE2000 difference between the published values: under 2 is hard to tell apart on a wall, 2 to 5 is a visible but related shade. Always compare real chips before you buy.

Name, code, LRV and color value as published by Benjamin Moore on its color page (checked 2026-11-11). A screen can only approximate paint: sheen, lighting and the screen itself all change it, so check a physical sample. ColorPlum is not affiliated with Benjamin Moore.

ColorPlum swatchStained Glassmedium-dark, soft blue
HEX
#44646D
RGB
rgb(68, 100, 109)
HSL
hsl(193, 23%, 35%)

Best text on it: white at 6.38:1

Copy codes as

Every code for Stained Glass

  • HEX#44646D
  • RGBrgb(68, 100, 109)
  • HSLhsl(193, 23%, 35%)
  • HSV193°, 38%, 43%
  • CMYK38%, 8%, 0%, 57%
  • Lablab(40.2% -10.2 -9)
  • OKLCHoklch(48.2% 0.04 217.2)
  • Decimal4482157

Tints, shades and tones

From white to black in 10% steps, with Stained Glass in the middle. Tap a code to copy it.

  1. 90%#ECF0F0
  2. 80%#DAE0E2
  3. 70%#C7D1D3
  4. 60%#B4C1C5
  5. 50%#A2B2B6
  6. 40%#8FA2A7
  7. 30%#7C9399
  8. 20%#69838A
  9. 10%#57747C
  10. Base#44646D
  11. 10%#3D5A62
  12. 20%#365057
  13. 30%#30464C
  14. 40%#293C41
  15. 50%#223237
  16. 60%#1B282C
  17. 70%#141E21
  18. 80%#0E1416
  19. 90%#070A0B

Tones (mixed with gray)

  1. 10%#4A676F
  2. 20%#506A71
  3. 30%#566C73
  4. 40%#5C6F75
  5. 50%#627277
  6. 60%#687578
  7. 70%#6E787A
  8. 80%#747A7C
  9. 90%#7A7D7E

Matching colors

Complementary
  • #44646D
  • #6D4D44
Analogous
  • #446D62
  • #44646D
  • #444F6D
Triadic
  • #44646D
  • #6D4464
  • #646D44
Split complementary
  • #44646D
  • #6D444F
  • #6D6244
Tetradic (square)
  • #44646D
  • #62446D
  • #6D4D44
  • #4F6D44
Monochromatic
  • #090E0F
  • #27393E
  • #44646D
  • #618F9C
  • #90B1BA

Stained Glass in 3D color space

OKLab, the space ColorPlum does its math in: lightness runs up the pole, hue goes around it and saturation grows outward. The faint shell is every color a screen can show (saturation is drawn wider than lightness so hues separate). Drag to turn it.

Stained Glass with its complement, its triad and its tint and shade
  • Stained Glass
  • Triad #6D4464
  • Triad #646D44
  • Complement
  • 50% tint
  • 50% shade

Stained Glass in use

New collectionAutumn edit

Card body text stays dark for reading; stained glass carries the header and the button.

Shop nowTag

Headline in Stained Glass

A paragraph with a link set in this color, which is dark enough for text on white.

How it looks with color-vision deficiency

A simulation (Machado and colleagues, 2009) of how the color and its complement read without one type of cone.

  • Typical color vision#44646D
  • Protanopia (no red cones)#5E626E
  • Deuteranopia (no green cones)#575D6D
  • Tritanopia (no blue cones)#356767

Contrast and readability

PairingRatioWCAG 2.2
as text on white6.38:1AA AA large AAA
as text on black3.28:1AA AA large AAA
white text on it6.38:1AA AA large AAA
black text on it3.28:1AA AA large AAA
on your background5.57:1AA AA large AAA

Export

:root {
  --stained-glass: #44646d;
  --stained-glass-rgb: 68 100 109;
  --stained-glass-on: #ffffff;
}
On this page

Stained Glass carries code CSP-685, hex #44646D, RGB 68, 100, 109. It is a deep, slightly greenish blue, and the only one of the group with a chroma worth noticing.

Reading the color

The OKLCH value is oklch(48.2% 0.04 217). A chroma of 0.04 is still modest, so the file labels the undertone as a cool neutral with a blue cast. The hue of 217 degrees sits between blue and green, which is why it can read as a muted teal in some light. The LRV is 13.15, in the very dark band. After dark the blue comes forward under lamps, while against crisp whites it may look flatter.

Worked example

Imagine a dining room with an east window and a white picture rail. Stained Glass on the walls below the rail, with Cloud White (OC-130) above and on the ceiling, makes a firm two-tone room. Morning light is bright but cool, so the teal side shows early, and lamps later bring out more of the gray. If you want fewer surprises, paint a sample board and move it between the window wall and the darkest corner.

Light lettering is the practical choice on this shade: white text reaches 6.38:1, black only 3.28:1. A heading or button in this color needs white type to be comfortably readable.

Brand coordinating colors

Benjamin Moore lists Paper Doll (CSP-485), Lilac Hush (CSP-490), Cloud White (OC-130) and Sag Harbor Gray (HC-95). None has a page here. The two CSP entries share a prefix with Stained Glass, so they are easy to find in the same collection. Lilac Hush adds a quiet purple contrast, and Sag Harbor Gray works as a mid-tone partner.

Close colors and cross-brand options

Within Benjamin Moore, Vermont Slate (1673) is ΔE 3.3, related but visible. Dark Harbor (CSP-720) is 10.3 and Midnight Blue (1638) is 11.6, clearly different.

Sherwin-Williams Deep Sea Dive (SW 7618) is 3.7, also related but visible, and is the only other-brand color within 5. Behr Dark Ash (770F-5) is 12.3, Sherwin-Williams Peppercorn (SW 7674) is 12.9 and Pewter Green (SW 6208) is 13.2. Nothing is a swap, so keep to the original and sample it.

This is a color to use with intent. A whole room in it will feel enclosed, while a single wall or a built-in reads as a deliberate accent. Because the green-blue balance shifts with the light, view your sample in the room at morning, noon and night before ordering gallons.

Sources

  1. Benjamin Moore, Stained Glass CSP-685 color page (checked 2026-11-11) benjaminmoore.com
  2. CIE, Colorimetry: CIEDE2000 color-difference formula (CIE 015:2018; checked 2026-11-11) cie.co.at
  3. W3C, Web Content Accessibility Guidelines (WCAG) 2.2: contrast minimum (checked 2026-11-11) w3.org